The space is subdivided by metal scaffolding tubes connected with couplers. This lightweight construction contrasts with Heerich’s massive, at times bombastic works.

The floor plan is based on a grid, a recurring principle in Heerich’s drawings, maquettes, and sculptures.

This contrast is further extended in the spatial zoning. Lightly transparent white fabrics separate the different zones, creating a layered viewing experience.

Rather than being confronted abruptly with the next work, the visitor is offered a suggestive glimpse of what lies ahead. This evokes curiosity and invites movement through the space.